Teaching Luke: "Do not be afraid, little flock..."

Last Sunday I filled in as leader for the Discussion Class (Luke Part 2) at Southwest Central Church, Houston, since Michael and Brent were both out of town. Yes, me! At church and teaching on Mother's Day and only a little bit weepy. How I rejoice in this evidence of healing and spiritual growth!  I don't think I was ever privileged to teach a class that was a better fit with the morning's worship service. Our passage from Luke melded perfectly with the reading from Acts 2 from our "Peter Speaks to You" series which informed our worship last Sunday.

In its detailed discussion of Luke, the class had reached Chapter 12 but I began with a reminder of the last verses of Chapter 11:
⁵³ When he went out from there, the experts in the law and the Pharisees began to oppose him bitterly, and to ask him hostile questions about many things, ⁵⁴ plotting against him, to catch him in something he might say.
Everything in the next section (Luke 12:1 - Luke 13:21) happens in this context of opposition, hostile questions, and plotting "to catch" Jesus which gives an urgency to his words. When Jesus heals on the Sabbath, the experts in the law say, "Gotcha!" but the section concludes:
 ^13:7 When he said this all his adversaries were humiliated, but the entire crowd was rejoicing at all the wonderful things he was doing.

The setting is one that Luke has used before, most notably in Luke 6, Jesus' Sermon on the Plain--Jesus teaching his disciples in the midst of a crowd. And, oh! what a crowd, "so many that they trampled on each other." This emphasis on the size of the crowd introduces one of the major Lukan themes: "the world turned upside down." What seems big or valuable is really of no value; what seems small and of little value is really a great treasure.
Jesus and his disciples are surrounded by hostility, a hostility that is moving toward Jerusalem and a cross, just as the original readers of Luke's gospel, the early Christian church, are faced with persecution and the very real possibility of martyrdom. As Craddock writes,  "...these words are more fitted to the church after Jesus' resurrection than to his immediate disciples, because these sayings both imply and openly state the gift of the Holy Spirit." In the face of this hostility, Jesus repeatedly assures his disciples that God cares, that God provides, that the unfruitful fig tree will be cut down, that the faithful servant will be rewarded, and that the Kingdom of God will grow from the small mustard seed which he is sowing into a "tree" where birds may nest in safety and provision.

(Note: in both Jewish and Buddhist traditions and early writings, the mustard seed is an image of creation, an expanding universe, eternity. Its appearance here--particularly with the mention of "garden"--may be evocative of similar ideas.)

The section, Luke 11:53 - Luke 13: 22, is marked by

1. movement ⁵³ "Then he went out from there" and ²² "Then Jesus traveled"
2. and the use of "leaven" and birds

Although none of the commentaries I looked at mentioned it, in my reading I noted a chiastic structure:

A     LEAVEN of the Pharisees,  that is hypocrisy
B           Birds e.g. sparrows for whom God cares.
             NO FEAR you are worth more than sparrows     
C             A Question from the crowd re. inheritance
                 Jesus answers with a question:
                 "Who made me the judge?" DIVISION of property
D                   A parable: rich man building barns ("eat, drink, be merry")
                     Not ready for his death and headed to "Gehenna"
E                     DO NOT WORRY
                        Birds e.g. Ravens do not build barns, God provides
                        Lilies, grass withers and is burnt, God provides
                        ³² “DO NOT BE AFRAID, little flock,
                              for your Father is well pleased to give you
                              the kingdom.
                                ³³ Sell your possessions and give to the poor.
                            Provide yourselves purses that do not wear out—
                            a treasure in heaven that never decreases,
                           where no thief approaches and no moth destroys.
                      ³⁴ For where your treasure is,
                         there your heart will be also."
  D'                  A Parable: servants waiting for their masters' return
                       Ready with loins already girded and lamps continually burning
 C'              A Question from the Disciples (Peter)
                  Jesus answers with a question:
                 "Who is the trustworthy steward?" DIVISION of households
                 "You hypocrites!"
                 "Judge for yourself what is right!"
B'        Wild birds that nest in the mustard tree
A'    LEAVEN of the Kingdom of God

In this text Jesus seeks to reassure his small group of followers in the midst of a much more numerous crowd that the Kingdom of God will grow, that God will provide everything his "little flock" needs just as he provides for birds.
Major teaching themes include:

• hypocrisy
• "my" possessions vs. God's provision
• "riches" vs. "treasure"
• being prepared for persecution, for death, for judgment

Of the repeated themes which this class has been noticing we see:

• angels,
• Holy Spirit
• the world turned upside down
• the poor
• the Kingdom
• clean/unclean (I'm not sure this item is on the list on the blackboard)
• and numerous pairs

We have a pair of fears: the one who can destroy the body vs. the one who can destroy the soul.
We have a pair of brothers--as we had a pair of sisters in Chapter 10:38-42--where one asks for judgment against the other.
We have not a pair but a triplet of birds: sparrows, ravens (an "unclean" bird), and wild birds. The appearance of the third reinforces the chiastic emphasis on E Luke 12:22-34 as the key section of this text.
We have a pair of questions; one from the crowd and one from the disciples represented by Peter.
We have a pair of parables both speaking to being prepared for judgment.
We have a pair of trees: an unfruitful fig tree and the tree that grows from the mustard seed.
We have a pair of "divisions" of an inheritance and of households.

Does Chapter 12 ^51 "Do you think I have come to bring peace on earth? No, I tell you, but rather division! ⁵² For from now on there will be five in one household divided, three against two and two against three. ⁵³ They will be divided, father against son and son against father, mother against daughter and daughter against mother, mother-in-law against her daughter-in-law and daughter-in-law against mother-in-law.”
relate to Chapter 11 ¹⁶ Others, to test him, began asking for a sign from heaven. ¹⁷ But Jesus, realizing their thoughts, said to them, “Every kingdom divided against itself is destroyed, and a divided household falls. ¹⁸ So if Satan too is divided against himself, how will his kingdom stand?"

And, perhaps, there is a pairing of baptism and fire in 13:49-50 which looks forward to the second chapter of Acts, also written by Luke.
Part of that passage was the key text to our worship service on Sunday:

^{Acts 2:42} They were devoting themselves to the apostles’ teaching and to fellowship, to the breaking of bread and to prayer. ⁴³ Reverential awe came over everyone, and many wonders and miraculous signs came about by the apostles. ⁴⁴ All who believed were together and held everything in common, ⁴⁵ and they began selling their property and possessions and distributing the proceeds to everyone, as anyone had need. ⁴⁶ Every day they continued to gather together by common consent in the temple courts, breaking bread from house to house, sharing their food with glad and humble hearts, ⁴⁷ praising God and having the good will of all the people. And the Lord was adding to their number every day those who were being saved.

In Luke/Acts, as Talbert suggests, the purpose of wealth is to share with the poor, with one another. Much of our class discussion centered around the difficulty of putting this teaching into practice.

I read and made use of the discussion of this section in these books:

Craddok, Fred B.: Luke: Interpretation for Teaching and Preaching. 1990

Talbert, Charles H.: Reading Luke: A Literary and Theological Commentary. 1982

Brent and Michael gave me a third book with these which I read but from which I made no notes so I doubt that it contributed to my understanding of the passage.
Scripture quotations from the NET Bible via Biblegateway.

Memoir: Daddy on a summer morning...

I've been putting in a new yard. When I started removing grass to prepare a new bed, I noticed that my hoe was dull. I remembered the countless mornings from the time school turned out in May until School started in September--yes, we pretty much kept to those dates because in a rural farming community children are labor--that began with "iron sharpening iron" as Daddy filed our hoes and the rising sun colored the eastern sky and tinted the land rose gold.
I could not find my file so I asked DMP to pick one up on the way home. He did and when I opened the package in the morning light to begin a day's work, I finally got the joke.
Daddy had brought home a new file and laid it carefully on the edge of front stoop as he began using the old file on our hoes. Mother came out and sat on the stoop with her coffee cup watching him. Hiding his smile under the wide brim of his hat, he said, "Dot, hand me that S.O.B."
She shot him a look of both shock and anger.
His blue eyes sparkled and he looked directly at her and said, "That's what it is; read the label."
She did; they laughed. She blew him a kiss and tossed him the file and we got on with our day.
Even at the time, I knew they had shared a joke, a private joke, one of the countless little ways they affirmed their love day in and day out.
My new file is a Nicholson 10" Black Diamond Single Cut Bastard.
"Single Cut Bastard." What a wonderful phrase!
It would make a good line for a poem or a title for a novel.

Chiaroscuro: Playing with light and shadow

I've had a week of experiencing light and shadows.
Making the most of Houston's last cool weather before the summer blast, I spent lots of time working in my yard. While working in the hot afternoons, I often longed for some rest in a patch of shade. The patio table umbrella was nice; the natural shade from my neighbor's trees was nicer. For me, those shadows became a place of shelter, a resting place.

Gregory Gibbs, 2014, used by permission.

One day last week a young friend posted a "selfie" that I found quite intriguing. I lingered over the photo and returned to it several times in the week. Something in the photograph reminded me of a Rembrandt painting that had first fascinated me in childhood when I found  it in the World Book Encyclopedia. Rembrandt's single candle lighting is called chiaroscuro. Chiaroscuro was not original to Rembrandt. Several of my other favorite 17th and 18th Century painters--Leonardo Da Vinci, Peter Paul Rubens, Caravaggio--made use of the technique. Chiaroscuro lends a painting "dramatic intensity, rhythmic visual harmony, and psychological depth." {I would very much like to properly cite this phrase but am not certain where it originates. Two sources that I found interesting are:  Jeffrey A. Netto's 1999 article for his English course: Writing in the World of Painting   and a really fun power point from teacher web "Outside the Lines." }

All this to say that I had already been thinking some about light and shadow when I arrived at The Cenacle Retreat House on Saturday morning for the "spiritual spa day." 



My friends, Amy, Chelsie, Brandy, Michal, Luci, Elana, and me
on the patio of the Cenacle in light and shadow.

I was very much looking forward to a massage to  ease the aches and pains of the week's hard labor in the yard, to being indulged with some delicious lunch and a high tea, and to spending some quality time with friends. It was a truly wonderful day. Walking the beautiful gardens and woodlands allowed me to experience more light and shadow.
One of the two sessions I attended was Connie Longsworth's Musica Divina, a meditation technique similar to Lectio Divina using music rather than text. Connie suggested that we could use this technique not only intentionally but any time when we were trapped listening to music in a car, on hold, shopping. We could use it for any genre of music, as a way of encountering God in everything.

I did not care for either of Connie's selections: Captivate Us by Watermark and Cyndi Lauper's True Colors. I found the music uninteresting; I found the poetry, particularly True Colors, dreadful. Nonetheless, as I reflected on the words and the relationship of those two pieces to each other, I noted that both songs were very sensory, extremely visual, and that both relied on motifs of light and shadow.

"like the stars..." "radiant bright... in your breath and shadow..." "let everything be lost in the shadows of the light of your face..." from Captivate Us

"You can lose sight of it all and the darkness inside you..." "I see your true colors shining through..." "Like a rainbow..."

from True Colors

My journal notes:

Chiaroscuro

by K Cummings Pipes 2 May 2014

Light by its very nature creates shadow.
Shadows are not the same as darkness.
Darkness is an absence of light.
Shadows are the result of light's presence;
they are part of the light's revelation.
For example:
I do not, I cannot doubt unless I first have faith.
Indeed, doubt is not the absence of faith;
doubt is a shadowed faith.
The presence of the Light reveals shadows.
Shadows change with the movement of light
or with the movement of the object that casts the shadow.
Remove the object and the shadow is gone.
Such removal may be necessary
when the shadow is the result of some hindrance or sin in my life.
Not all objects can be moved;
they are not sin but circumstance.
These objects are to be walked around, not stumbled over.
Sometimes a shadow object can become a candlestick,
lifting the light higher and increasing illumination.
Looking at a shadow from different angles,
seeing how the shadow changes in time and space,
may create a fresh perspective or open a new path.
If there are no shadows, there is no Light.
The play of the Light and shadows bring
"dramatic intensity, rhythmic...  harmony,
and psychological depth" to my life
and are indeed a shelter and a resting place.

Reading: C. S. Lewis on prayer

Reflections on the dialog...

SEASONS, my women reading theology group, selected Letters to Malcolm, Chiefly on Prayer by C. S. Lewis. I had the book on my shelf, highlighted from two previous readings and put off rereading until this week.  I was in for a bit of a shock. Lewis and his imaginary friend Malcolm--an undergraduate with C.S. Lewis, exchanging “interminable letters on the Republic and classical metres, and what was then the “new” psychology!” and now continuing their correspondence on the subject of prayer--are far better read than I. Lewis drops  a lot of names and builds his sentences of countless literary references. Many of the people he mentions are intellectuals, philosophers, believers who wrestle with God or fight against “religion” as idolatry. While I recognized most of the names, I was not as familiar with their thought as I needed to be to fully comprehend Lewis's dialog.

I think Lewis intended this book not only as a treatise on prayer but also as a dialogue with his contemporary theologians on the issues of the day.
In particular Letters to Malcolm addresses Alec Vidler’s Soundings and Bishop of Woolwich John Robinson’s Honest to God.

I began making notes in the margin of my book. Then I decided to create a cheat sheet to share with SEASONS. I worked through the first six chapters. Then I found that someone else had already done so. Wasted effort? No! I have decided that I might want to read Pascal. I discovered a woman novelist, Rose Macauley, to see if I want to read; since she's 20th Century it may be a long well before she climbs to the top of the book stack. Simone Wiel looks very interesting.

This link is to a chapter-by-chapter listing of notes by Arend Smildes which I think the reader will find helpful.

http://www.lewisiana.nl/malcolmquotes/index.htm

The notes I made before I decided not to reinvent the wheel follow:

 

Chapter 1 (sets the scene. This is a “Socratic dialogue”)

 p.3        Republic            by Plato           429 – 347 B.C.           Greek

student of Socrates; founder of the Academy of Athens; the founding philosopher of Western thought.                Quotes:
“Have you ever sensed that our soul is immortal and never dies?”
“The philosopher whose dealings are with divine order himself acquires the characteristics of order and divinity.”
“Musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul.”
“Nothing beautiful without struggle.”

Chapter 2

 p. 9       Imitation (of Christ)    by Thomas a Kempis 1418 – 1427   German Catholic

priest, monk, hand wrote 2 copies of the Bible (10 volumes)   Quotes:
“If God were our one and only desire we would not be so easily upset when our opinions do not find outside acceptance.”
“Wherever you go, there you are.”
“A book has but one voice, but it does not instruct everyone alike.”
“As long as you live, you will be subject to change, whether you will it or not - now glad, now sorrowful; now pleased, now displeased; now devout, now undevout; now vigorous, now slothful; now gloomy, now merry. But a wise man who is well taught in spiritual labor stands unshaken in all such things, and heeds little what he feels, or from what side the wind of instability blows.”
“Jesus has now many lovers of the heavenly kingdom but few bearers of His cross.”
“Never be entirely idle; but either be reading, or writing, or praying, or meditating, or endeavoring something for the public good.”
“The Lord bestows his blessings there, where he finds the vessels empty.”

 p. 10     Letters               Rose Macauley 1881 – 1958       English         Secularist & Anglican

her letters were published in 3 volumes in 1958. Her 26 novels (Towers of Trebizond 1956 semi-autobiographical) often have religious themes; Christianity is treated satirically in early works. An ardent secularist, she had a long (1918-1941) secret affair with Irish novelist Gerald O’Donavan. She returned to the Anglican communion in 1953.  Quotes:
“It is a common delusion that you make things better by talking about them.”
“At the worst, a house unkept cannot be so distressing as a life unlived.”
“Life, for all its agonies...is exciting and beautiful, amusing and artful and endearing...and whatever is to come after it -- we shall not have this life again.”
“It was a book to kill time for those who like it better dead.”
 

p. 11      Blaise Pascal 1628 -1662         French               Augustinian Catholic (Jansenism)

“On 23 November 1654, between 10:30 and 12:30 at night, Pascal had an intense religious vision and immediately recorded the experience in a brief note to himself which began: "Fire. God of Abraham, God of Isaac, God of Jacob, not of the philosophers and the scholars..." and concluded by quoting Psalm 119:16: "I will not forget thy word. Amen." He carried this note sewn into his coat. A servant discovered it only by chance after his death. After this experience he began writing the Lettres Provinciales and the Pensees.  Quotes from Pensees:

“The heart has its reasons which reason knows not.”
“All of humanity's problems stem from man's inability to sit quietly in a room alone.”
“Men never do evil so completely and cheerfully as when they do it from religious conviction.”
“There is a God shaped vacuum in the heart of every man which cannot be filled by any created thing, but only by God, the Creator, made known through Jesus.”
“In faith there is enough light for those who want to believe and enough shadow for those who don't.”
“The last function of reason is to recognize that there are an infinity of things which surpass it.”
“Nature is an infinite sphere whose center is everywhere and whose circumference is nowhere.”

Chapter 3

p. 14     “Manichchaeian” used figuratively as a synonym for “dualist” and suggests, somewhat disparagingly, that this world view simplistically reduces the world to a struggle between Good and Evil. Originally a major Gnostic religion founded by Iranian/Persian Mani, 216 – 276 A.D., Lewis refers not to the original but to the Histoire Critique de Manichee by Isaac de Beausobre, 1659 – 1738.        French Protestant explores the history of heresy and orthodoxy, concludes “God… eternally active and creative”

p. 15     John A.T. Robinson, Bishop of Woolwich      1919 – 1983              English Anglican Liberal author of Honest to God (1963), Robinson attempted to reconcile the disparate theologies of Tillich and Bonhoeffer. For more information see this article by N. T. Wright:  http://ntwrightpage.com/Wright_Doubts_About_Doubt.htm

Quotes:
"For it is in making himself nothing, in his utter self-surrender to others in love, that [Jesus] discloses and lays bare the Ground of man's being as Love".
"For assertions about God are in the last analysis assertions about Love".
“…the sacrament which forms the heart of Christian worship is… the assertion of ‘the “beyond” in the midst of our life’, the holy in the common. The Holy Communion is the point at which the common, the communal, becomes the carrier of the unconditional, as the Christ makes himself known in the breaking and sharing of bread.”

Chapter 4

p. 21     Martin Buber 1878 – 1965          Austrian Isarali Jew        Zionist author of               Ich und Du (I and Thou) “dialogical community… dialogical relationships”        Quotes:

“All journeys have secret destinations of which the traveler is unaware.”

“When two people relate to each other authentically and humanly, God is the electricity that surges between them.”
“The atheist staring from his attic window is often nearer to God than the believer caught up in his own false image of God.”
“Solitude is the place of purification.”
“The world is not comprehensible, but it is embraceable: through the embracing of one of its beings.”

Chapter 5

p. 28     Juvenal 127 A.D              Roman poet “bread and circuses”

              “enormous prayers which heaven in vengeance grants”

 Chapter 6

 

p. 29     Alexander Vidler 1899 – 1991    English   Anglican priest, publisher, “new” theology              editor of Theology to which C.S. Lewis contributed, scholor of F.D. Marice

edited Soundings, collection of essays on Christian theology and the sciences. Quote:
"We are all sure that there is a way ahead, else we should not have taken up our pens. We have been less disconcerted by our differences than surprised by our concurrencies."

 F. D. Maurice 1805 – 1872             English   Christian socialist,

Proponet of women’s education, Unitarian family, ordained Anglican, deprived of Cambridge professorships for “unsound theology”  Quotes:
"The Bible," we are told sometimes, "gives us such a beautiful picture of what we should be." Nonsense! It gives us no picture at all. It reveals to us a fact: it tells us what we really are; it says, This is the form in which God created you, to which He has restored you; this is the work which the Eternal Son, the God of Truth and Love, is continually carrying on within you.
“The desire for unity has haunted me all my life through; I have never been able to substitute any desire for that, or to accept any of the different schemes for satisfaction of that men have desired.”
Dietrich Bonhoeffer 1906 – 1945             German             Lutheran              anti-Nazi
             Christianity in a secular world.               Quotes:
“Cheap grace is the grace we bestow on ourselves. Cheap grace is the preaching of forgiveness without requiring repentance, baptism without church discipline, Communion without confession.... Cheap grace is grace without discipleship, grace without the cross, grace without Jesus Christ, living and incarnate.”
“A God who let us prove his existence would be an idol.”
“We pray for the big things and forget to give thanks for the ordinary, small (and yet really not small) gifts.”
“We must be ready to allow ourselves to be interrupted by God.....We must not.....assume that our schedule is our own to manage, but allow it to be arranged by God.”

 p. 30    John Newman 1801 – 1890           English    Anglican convert to Catholicism, Cardinal,  leader of the Oxford Movement... Quotes:

”We can believe what we choose. We are answerable for what we choose to believe.”
“To live is to change, and to be perfect is to have changed often.”

 Simone Wiel 1909 – 1943 French               agnostic Jew, philosopher  Scholar of Christianity, Hinduism, Buddhism, Greek & Egyptian mystery religions. Sometimes described as a "Christian mystic, she baptized late in her life into the Roman Catholic communion by Thomas Merton.      Quotes:

 “All sins are attempts to fill voids.”
“Love of God is pure when joy and suffering inspire an equal degree of gratitude.”
“True definition of science: the study of the beauty of the world.”
“Absolutely unmixed attention is prayer.”
“It seemed to me certain, and I still think so today, that one can never wrestle enough with God if one does so out of pure regard for the truth. Christ likes us to prefer truth to him because, before being Christ, he is truth. If one turns aside from him to go toward the truth, one will not go far before falling into his arms. ”

 I collected most of the quotes by googling an author's name and selected the goodreads quotation link that popped up. http://www.goodreads.com/quotes

 

And another resource for reading C. S. Lewis:

http://www.cslewis.org/resources/studyguides/Study%20Guide%20-%20Letters%20to%20Malcolm.pdf

Air Force Tablecloth

Betty's "Air Force" tablecloth.

As mentioned in my last post, I have been adding a number of things that belong to my husband's family to our household. His dear mother, Betty, has downsized into an assisted living apartment. I've been working my way through a stack of linens and was delighted to discover a beautiful tablecloth that is so wonderful that my enthusiasm is undiminished. Even after a week of  working on a stain--gone! Even having spent the greater part of a day at the ironing board.

My friend, Bobbie H., asked if the tablecloth had "a history."  Today (Valentine's Day) DMP and I took his mother out to lunch and I asked her about the tablecloth.

In the Spring of 1957 the family went on a cruise from Puerto Rico--where they were stationed while Charles was flying SAC missions out of Ramey AFB and where Bryan was born--to Panama. Nine-year-old David learned to play chess during that cruise.

Betty bought the tablecloth in Panama. She said, "The Army/Navy tablecloths had been around a long time but they finally made one for the Air Force. I'm sure it was made in China as most were then."

Detail of the octagonal panel embroidery and cut work.

"China" in this context denotes Taiwan, the source of high quality linens in the mid-20th Century. Betty's cloth is all high end textile, no polyester, and appears to me to be hand sewn.

Similar antique and vintage tablecloths are usually called "Army/Navy" cloths. They are typically composed of alternating square panels of embroidered and cutwork linen and hand made filet lace, bordered in filet lace. All hand made of natural linen/cotton  and stitched together by hand, it is a tour de force of textile art. Examples have been found dating back to the Civil War. Some sources say it was the style of tablecloth used in the Army Navy Club in Washington, D.C.


My guess is that the octagonal shape is what distinguishes the Air Force cloth from the Army/Navy cloth.

A half-octagon is the rather stylized wing of the current USAF logo. That logo was not adopted until 1970 but the bottom section of the USAF shield is that a half octagon. The lower section of the Army shield is almost square; the Navy's, triangular.
Note also the repeated ^ ^^ shapes in the cut work and the filet lace which might also be a wing motif.



I especially like the rose embroidery and lace panel because it goes so perfectly with the Open Rose footed fruit bowl (Imperial Glass) which my mother bought in the late1970s from the old back room inventory when Brown's (or was it Baker's?) Store in Lockney went out of business.

I always keep a mirror under the bowl to reflect the light.

I love my table where friends and family gather but I do not ever plan to use this particular tablecloth during a meal. It is truly vintage collectible, now at least 57 years old.

Also, I am not eager to wash and iron it anytime soon.

Here is a link to a some good advice on caring for antique and vintage linens:
http://www.vintagetableclothsclub.com/stains.htm

Some things I collect are not books...

Moving empties all the closets. Bits and pieces packed carefully away are unpacked, looked at, shared with others, displayed, repacked, or discarded. Theoretically, skeletons may walk about. My mother-in-law, Betty Meggs Pipes, recently moved from the large family home into a much smaller assisted living apartment. These are a few treasures that have found a new home with David and me.

 The pottery we bought for David's mother, mostly in the late 1970s and 1980s during our vacations in NW New Mexico and SW Colorado, have moved from Betty's bookshelf to our entry.
When the Pipes family was stationed in Roswell, NM, where they lived when David started First Grade, Betty fell in love with the beautiful black on black Santa Clara Navajo pottery. A newly minted USAF captain with a growing family could not afford such luxuries, but David remembered her wishes and over the years we bought her three small Santa Clara pots:

larger pot by Hovenweep Navajo Manuel (Manual) or Janna (Yuana) "Morgan" AdaKai; 

pot with the turquoise by Johanna Herrera, Santa Clara,  our favorite although one notes the lesser quality of this pot in its wide, thick, unglazed opening;

the first piece we bought by the great Santanita Suazo, mother of Candeleria Suazo and Mae Tapia.

The small black and white "seed jar" is the very early work of the premier potter Robert Patricio, Acoma, NM.

The pot with the lovely colors is "Moving to Mesa" by Mountain Ute artist Norman Lansing.

My dining room table is piled with linens.
Some more lovely pillow cases which Betty bought

during her Asian travels. I had previously inherited some of those she gave to her mother. I love linens and have a number displayed in our guest bedroom.

I have been enchanted by the table linens and have spent a week working on stains in  a beautiful white on white embroidered panels and lace tablecloth. Finally succeeded. Cold water always. Finally, the last resort:  a long soak in dishwasher detergent, Cascade. The stain is gone. Now to iron. I seriously need to weed my collection of table linens and storing all these old/new additions will be an incentive, I hope.

Some things from Betty's house fit perfectly in mine. Some things will be a perfect fit soon: the Asian brass candlesticks that Charles had converted into lamps--need to be rewired and something done about the shades--are going to look great in our dining room. Some things are a bit more problematic like trains sets and bright red "sandbox" toys.

Not to mention the books.
So far no skeletons.