Showing posts with label women. Show all posts
Showing posts with label women. Show all posts

23 October 2013

Distant Voices

SEASONS, my women-reading-theology group will discuss the now twenty-year old book, Distant Voices. Discovering a Forgotten Past for a Changing Church by C. Leonard Allen. Abilene, TX: ACU Press, 1993,  which focuses on the "minority voices among the churches of Christ." p. 4 
I read this book when it was newly published but have certainly benefited by a second reading. As a church librarian I have had the opportunity to browse some of the 19th and early 20th century publications that make up the written history of the Stone/Campbell movement and have long known that I am more often in sympathy with the voices that were silenced than those who defined the traditional doctrine and practice of the Restoration Movement, particularly as expressed in the churches of the South. One might call me a "Stoneite" but never a "Campbellite."
Quoting Allen: "...in Stone's view, heresy involved not so much believing wrong doctrines but a lack of love and a rending of the body of Christ. He did not believe that a set of correct doctrines would ever unite believers." p 18 Nor do I.
He would not deny fellowship or Eucharist based on whether a person claiming the name of Christ had been baptized by immersion. Nor would I.
"He opposed the "mania for uniformity" that allowed people to exclude from fellowship those who differed in interpretation or opinion." p. 44 As do I. In my 40+ years in the churches of Christ, I have been more than once named a heretic (always by a male) which I usually take as a compliment. After all, they called Jesus a blasphemer.

In his book, Allen makes use of a couple of my favorite Barton Stone quotations:

"I hear much said about obedience, and too many confine or almost restrict the term to baptism and the weekly supper: prayer is sadly neglected, [along with] love to God and man."

"If our faith be ever so imperfect, and blended with error, yet if it leads us to do the will of God, and bear fruits of the Spirit; if it works by love; if it purifies the heart; if it overcomes the world--it is the faith of a Christian." p. 44

SEASONS decided to focus our discussion on the chapters dealing with women:
  • Chapter 4 Your Daughters Will Prophesy,
  • Chapter 17 The New Woman,  and
  • Chapter 18 Phoebe's Place.
Thomas Rolandson (1815)
from the digital collection of the New York Public Library.
 
Chapter 4:
I am struck with how very much the "Restoration Movement"
reflects the general societal views of women in the late 18th, through the 19th, and in the early 20th Centuries in America and in Victorian England with which I am more familiar.  I notice some interesting parallels between the criticisms of "female preachers" lacking "that delicacy of mind, which is the ornament of her sex" p. 25 to similar invectives directed at the Bluestockings.  I've recently been sampling some of the writings of Hannah More (1745 - 1833) and other proponents of education for women.
Allen notes that in the churches of Christ in America "the predominant cultural model of "true womanhood," which limited woman's role strictly to the domestic sphere, became the predominant model of the restoration movement. It remained so throughout the rest of the nineteenth century and into the twentieth." And I fear follows us still into the twenty-first.

Chapter 17:
Likewise the exchanges between David Lipscomb and Silena Moore Holman (1850 - 1915) give a theological setting to the "New Woman" questions that were being debated in the society at large. Allen quotes Holman:
"The days of the 'clinging vine woman' are gone forever... a husband will find walking by his side the, bright, wide-awake companion, ...a helpmeet in the best possible sense of the term." She is well educated, and her education has not "impaired her feminine grace or lovable qualities in the slightest degree."  p. 132
"Men may change with the changing conditions of modern life, but when women find themselves trying to keep step with their fathers, brothers, and husbands in the new order of things, the brethren stand in front of them with a drawn sword and demand a halt, because, they say, the Bible forbids, when it does nothing of the kind." p. 133

I find it telling that Lipscomb in his opposition to suffrage warned against women who "break the bond of subjection" divinely laid upon them. p. 131 The fact the he used the word "subjection" rather than the biblical word "submission" seems to me a clear demonstration that his opposition arose out of a entitled position of power and domination rather than the spirit of Galatians 3:28: "There is neither Jew nor Gentile, neither slave nor free, nor is there male and female, for you are all one in Christ Jesus."

Mitigating my heretofore negative view of Lipscomb is Allen's Chapter 13 God's Chosen Vessels about the 1873 cholera epidemic in Nashville and Lispcomb service to "the poor and destitute, especially among the black population." p.92 I may disagree with Lipscomb's doctrine or dogma but, in the face of a life sacrificially and courageously lived, I am awed and humbled by the man.


 Chapter 18
The Phoebe's of the Stone/Campbell movement are part and parcel with the deaconess movements that were rampant in all religious circles. They are very much the same as the "gray ladies" of the Anglican sisterhood.  {A really delightful novel touching on this topic is The Perpetual Curate by Margaret Oliphant, part of her Chronicles of Carlingford, a free Kindle book which I greatly enjoyed. It's a sweet romance that will delight the gentle reader.} This sisterhood and Margaret Oliphant are of particular interest to me because of their association with the Christ Church Albany Street St. Pancras which was the church attended by Evelyn Whitaker and her sisters. SEASONS read Evelyn Whitaker's novel Laddie as a study in the woman novelist as theologian.
The increasingly public role of women in the 19th and early 20th Centuries found religious expression in
many social movements: abolition, temperance, education, work place conditions, child labor, public health, orphans and children, health care, missions...
We in SEASONS are blessed to attend a church that has been at the forefront of the women's issue in churches of Christ for a couple of decades. In fact, our own Steve Sandifer wrote one of the best references on this subject.

In Allen's book I noted that women's service gave them credibility. Nancy Cram (1776 - 1815) had begun a teaching ministry among the Oneida Indians. Her prayer at a funeral touched the audience before she became a "female preacher." Abigail Roberts (1791 -1841) preached in "out of the way places." Nancy Towle was a school teacher who spent 4 years in Bible study and prayer before in 1821 beginning her fourteen years as a full time itinerate preacher "wherever a platform was open to her." p. 28 "I was astonished that professed Christians can be so much more willing souls shall perish, than that 'the rules of their society' shall be broken." I share Towle's astonishment. 

We Christians would do well to remember and not to repeat or continue the errors of the past. Allen quotes Henry May's 1949 book: "In 1876, Protestantism presented a massive, almost unbroken front in its defense of social status quo." p. 111 The path of truth, wisdom, unity not uniformity, and peace demands that we 21st Century members and leaders of the churches of Christ hear those Distant Voices.

The Jesus I know is a revolutionary who rejects the status quo and repeatedly engages the marginalized people he encounters. The Christ embodies the teaching of Torah, Psalms, and Prophets: a Holy God is less concerned with liturgical practices than with the compassionate care of those in need. When we do not do likewise we are failing in our witness to the world.

31 May 2010

Memorial Day: Patriotic Poetry

One of my favorite things is my church's fifth-Sunday sing-song at evening worship.  Last night we sang several patriotic songs at the request of DAR member and super-patriot Jenny F.  I remember singing some of these songs at church and school as a child.  Do children still learn patriotic songs in school?  I hope so for they are a part of our history and our heritage.  The songs we sing together affirm and create community. 

At least two of these patriotic songs were written by women.  Since I am always interested in the ways in which women made their voices heard at a time when they were denied equal access to public discourse, today's blog comments on these women and their patriotic songs and concludes with a poem I wrote.
  1. Julia Ward HoweThe Battle Hymn of the Republic, which as a child of the South I was not permitted to sing (as Uncle Shelby Calahan said, "we will not so dishonor the memory" of our ancestors who died in the War between the States) until I left home for college.  {I thought a hundred years and four or five generations was long enough to carry a grudge.}   Julia and her husband, Sam Howe, were abolitionists and during the war worked on the U.S. Sanitary Commission which was concerned with reforming unsanitary conditions in the Union camps and hospitals--disease, dysentery, typhoid, malaria killed two men for every one killed in battle.  (Other notable women of the Sanitary Commission include Louisa May Alcott, Clara Barton, Dorothea Dix.) The Howes' work with the commission was recognized by President Lincoln and in 1862 he invited them to the White House.   In Washington, Pastor James Freeman Clarke who had read some of Julia's poetry asked her to write a new song for the war to replace John Brown's Body.   Howe's account of inspiration while writing the Battle Hymn of the Republic:  I awoke the next morning in the gray of the early dawn, and to my astonishment, found that the wished-for-lines were arranging themselves in my brain. I lay quite still until the last verse had completed itself in my thoughts, then hastily arose, saying to myself, I shall lose this if I don't write it down immediately....  I lay down again and fell asleep, but not before feeling as if something very important had just happened to me."  The poem, published in the February 1862 issue of Atlantic Monthly, made Julia Howe an instant celebrity.  I love this song because it clearly articulates the basis of social justice in Christ and in the "glory" of God.  "Our God is marching on."
  2. Katherine Lee Bates:   American the Beautiful  was written in 1893, published in 1895 in The Congreationalist, and Bates revised the words in 1904 and again in 1913.   Before being published with the music Materna written by Samuel A. Ward in 1910, it was sung to other tunes, notably Auld Lang Syne.  Was Samuel Ward related to Julia Ward Howe?  I don't know.  As Michael T. said last night the original poem was a bit different:
O beautiful for halcyon skies,  
For amber waves of grain,
For purple mountain majesties
Above the enameled plain!            
America! America!
God shed his grace on thee
Till souls wax fair as earth and air
And music-hearted sea!

O beautiful for pilgrims feet,
Whose stern impassioned stress
A thoroughfare for freedom beat
Across the wilderness!
America! America!
God shed his grace on thee
Till paths be wrought through
wilds of thought
By pilgrim foot and knee!


O beautiful for glory-tale
Of liberating strife
When once and twice,
for man's avail
Men lavished precious life!
America! America!
God shed his grace on thee
Till selfish gain no longer stain
The banner of the free!


O beautiful for patriot dream
That sees beyond the years
Thine alabaster cities gleam
Undimmed by human tears!
America! America!
God shed his grace on thee
Till nobler men keep once again
Thy whiter jubilee!

Finally, a poem I began on the morning of  11 September 2001 shortly after the attacks on the World Trade Center and the Pentagon.  I finished it several months later on Memorial Day 2002.  The poem is a riff on America the Beautiful or perhaps a dialog with Katherine Lee Bates.

Oh, beautiful for spacious skies...
In a world with too little room
on this Tuesday morning,
death hurtled through the clouds.
...for amber waves of grain...
While we dwelt in peace and plenty,
a hate harvest ripened,
an explosion of horror, watched.
...mountain majesty... fruited plain...
Dreadful September day
when innocence crumbled to ruin
and fear took us hostage.


America, America...
Pilgrims fleeing persecution,
patriots overthrowing tyranny
stood once where we now stand,
...sheltered by God-shed grace...
cried "Freedom;" paid the price.
More than once the price paid in blood;
common man sought uncommon good,
beyond the shining seas
for brotherhood does not
in isolation live.
Costly, too high, too dear—but, still—
America, America...
We are resolved; tears dim
our eyes, not our vision.
Still, alabaster cities gleam.

05 March 2009

Dynamic Bibliography

After several years of working in solitude, I'm enjoying a small academic community with a trio of doctoral candidates in English literature. Last week I enjoyed a cup of coffee and a visit with BD (Rice U) at the lovely Brochstein Pavilion. Having mentioned an article that I thought would be of interest, I sent her a link to the citation:

Spurlock, John C. & Magistro, Cynthia A.: “Dreams never to be realized”: emotional culture and the phenomenology of emotion. J. Social History, Vol. 28, No.2, Winter, 1994

http://www.thefreelibrary.com/%22Dreams+never+to+be+realized%22%3a+emotional+culture+and+the...-a016350993

Spurlock & Magistro (psychology) have published some rather interesting work on the development of women’s emotional consciousness, their societal roles, and the history of gender equality.

This article concerns the diary of Gladys Bell, (early 1900s) and note number 42 mentions Laddie by Evelyn Whitaker as describing the Victorian ideal of manhood. However, when I first came across this article in early 2004 the author of Laddie was listed as anonymous. Now the author is identified and is linked to the Wikki article which I wrote and edit now and then.

Bibliographies and footnotes are no longer static. WOW! (this is the sort of thing that really excites a librarian) Even an old citation can be corrected and expanded and the web of knowledge grows. It's nice to play a small part in the weaving.

Should you wish to view that description of ideal manhood from Laddie, on-line versions are available from Google digitization (descriptions of Dr. Carter on Chapter 2, pages 20 ff. and pages 64-67 where he confesses his momentary weakness to the ideal Victorian woman, and again during hospital rounds page 81 ff.) and from archive.org both of which are linked from the digitized titles page at
http://www.evelynwhitakerlibrary.org/